SR3

So, another wrinkle to this story is an exploration of feminism born out of fear. It would have been revealed that Connor develops the attitude he does about Zahra’s autonomy because he knew her mother and witnessed her die in child birth, regretting the things she missed out on by living such a restricted life. […]

You may have noticed that the sky has shifted from day to night to dawn through this opening scene. I wanted the time of day to fit the tone, and thought it was something I could get away with manipulating a little without jeopardizing the storytelling.

Panel 4 here is probably the best of the project. I used that as the promotional image for a while until I made a cover.

I could’ve used an extra panel there, before the very last panel, to show the tiger-bot clambering onto the tree and Zahra repositioning herself, but I didn’t have the space. These pages are actually 3 strips stacked onto one another. That format was fast, but very restricting when it came to composition. I also use

If there is one thing I regret about this project it is this particular tiger robot. There is exposition for this later, so I won’t explain it now, but this thing is meant to look like a straight up robot. It is meant to be intimidating, but I don’t quite pull it off here. In

FIRST PREVIOUS Page 2 NEXT LAST Odessa was created at a period where I was experimenting with different techniques and in my opinion was on the verge of improving considerably at my craft. One major factor was transitioning away from ball point pens and to brushes for inking. By this point I’m using brushes for

Welcome to Odessa: More Than Dust. This was part of an experimental phase of StudioSR3 where I intended to run a Patreon exclusive comic in addition to my other freely accessible comics. This comic ran along side Reading Days and Action Hat. The project didn’t garner much readership in its first run owing to its