If there is one thing I regret about this project it is this particular tiger robot. There is exposition for this later, so I won’t explain it now, but this thing is meant to look like a straight up robot. It is meant to be intimidating, but I don’t quite pull it off here. In […]
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FIRST PREVIOUS Page 2 NEXT LAST Odessa was created at a period where I was experimenting with different techniques and in my opinion was on the verge of improving considerably at my craft. One major factor was transitioning away from ball point pens and to brushes for inking. By this point I’m using brushes for
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Welcome to Odessa: More Than Dust. This was part of an experimental phase of StudioSR3 where I intended to run a Patreon exclusive comic in addition to my other freely accessible comics. This comic ran along side Reading Days and Action Hat. The project didn’t garner much readership in its first run owing to its
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Another classic comic. I remember when I made this comic, I drew it at a bar before I left my hometown for my new career. That makes this a pretty special comic to end this project on for me.
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The fact that previous page was the better place to end this comic makes this reference work on another level. I guess… I guess, like, Beverly Hills Cop is required reading for Action Hat… I’m okay with that.
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By this point I had been planning possible scenarios with a sequel to this project, and all those ideas did involve introducing Lynda to the team and the complications that would introduce. I don’t think anyone is invested enough to have a problem with this turn of events, but it is worth point out that
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Again, Da Mayor was initially going to be the antagonist of this project, so this strip takes on another meaning if you have that inside knowledge. Aren’t you happy that you’ve been reading these?
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The moral of the story is that Mendoza is the bad guy because he looked at that cool explosion.
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So, I tried to use Mendoza’s huge mustache to serve the expressive duties of his mouth. Maniacal laughter is kind of pushing that, so if I had to do this strip over I would have composed that panel differently to have Menodza’s eyes doing more work. I was a bit to preoccupied with establishing that
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You may ask why the hyper wealthy Mendoza is driving a van. To this I would ask how a Mercedes-Benz could provide a canvas large enough to be worthy of a self portrait of the Mendoza.
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